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这是Rania。 她恨她的汽车。 她恨必须支付二张票。 她不喜欢分享电梯。 她不喜欢尝试在新的衣裳。 他恨看上去象这个的女孩。 并且她在她的生活中恨这是唯一的浪漫史。 唯一的满意Rania得到是在她可以通过她的宽敞开放学制办事处环境自由地移动和真正地表达她充分的个性的工作。
This is Rania. She hates her car. She hates having to pay for two tickets. She hates sharing elevators. She hates trying on new clothes. he hates girls that look like this. And she hates this being the only romance in her life. The only satisfaction Rania ever gets is at work where she can move freely through her spacious open-plan office environment and really express her full personality.
这是Dinesh。 他在它工作。 他过许多时尚界限。 这是他喜爱的夹克。 他当代艺术的想法.他的音乐汇集。 有希望地,为了缘故,当Dinesh到达每天的工作并且下来坐他的科技目前进步水平椅子在他设计好的书桌在他时髦的办公室,我们的一些口味最终将感染他。
This is Dinesh. He works in IT. He crosses many fashion boundaries. This is his favourite jacket. His idea of contemporary art. His music collection. Hopefully, for all our sakes, when Dinesh arrives at work everyday and sits down on his state-of-the-art chair at his well designed desk in his stylish office, some of our taste will eventually rub off on him.
这是语录。 这是什么他吃。 什么他喝。 什么他读。 他的便衣。 并且他的神象。 他炫耀一黄色一个。 做语录感觉象一个真正的人的唯一的事是he’s在他在他在他的大强的行政书桌之后的时髦的行政椅子可以坐和自然地召唤力量感觉的工作
This is Anas. This is what he eats. What he drinks. What he reads. His casual wear. And his idol. He sports a yellow one. Yet the only thing that makes Anas feel like a real man is when he’s at work where he can sit in his stylish executive chair behind his big strong executive desk and naturally evoke a sense of power.
这是艾略特。 他与他的母亲仍然居住。 这是他的汽车。 这是他的最好的朋友。 乐趣他的想法。 他怎么度过大多他的晚上。 并且这是他的工作。 从投入子弹停止艾略特通过他的中年成为秃头的头的唯一的事来临运作每天那里他能在有生产力在他符合人体工程学地设计事务所椅子和感觉象一个真正的球员。
This is Elliot. He still lives with his mother. This is his car. This is his best friend. His idea of fun. How he spends most of his evenings. And this is his job. The only thing that stops Elliot from putting a bullet through his middle-aged balding head is coming to work everyday there he can be more productive in his ergonomically designed office chair and feel like a real player.
Advertising Agency: Tonic Communications, Dubai
Creative Director / Copywriter: Vincent Raffray
Art Director / Photographer: Peter Walker














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